Showing posts with label breaking into publishing. Show all posts
Showing posts with label breaking into publishing. Show all posts

January 13, 2010

PubPt: Market Yourself & Books While You're At It

Dear Readers,

I just got back from a really great event given by the Publishing Point (#pubpt) called “Market Yourself! (and books, while you’re at it)” held in the conference room at Simon and Schuster. And I found the place on my first try! However, I did stand across the street in frozen terror for a few moments when I realized that I was entering THE Simon and Schuster. (Yes, I am a dork. Nothing marks a wannabe like an action like that, but I couldn’t help myself.)

Due to excessive planning, I arrived quite a bit early and spent over an hour searching the neighborhood for a coffee shop with free Wifi (there weren’t any—I asked 6 within a 4-block stretch). I finally gave up and just waited in the Metro CafĂ© across the street. And at T-1/2 hour, I made my way in.

So of course the guard couldn’t find my name on the list. I was able to convince him to let me in anyway (I swore I had no plans to disrupt the magnificent work of S&S) and after getting up to the 14th floor, I wandered around a bit, not wanting to burst into the wrong room. (Why, oh why, did I arrive a half-hour early? I really thought people would come early to mingle, but alas—this was not the case.)

I was the first one there and waited uncomfortably , feeling like an intruder on the inside workings of the Publishing Point & the wonderful Maggie Hilliard (@MaggieHilliard), Susan Danzinger, and others, for at least 20 minutes until people started to arrive. And there were plenty of people. They encouraged us to tweet during the event but I couldn’t get a Wifi connection (what is it with me and Wifi today?). I didn’t want to mess with my phone and have my notes suffer, so I just turned my phone off and focused on the guest speakers.

After a roll call—I wish I could remember everyone who came but it just went by too fast!—we went over a little bit of what the Publishing Point does. Check out their website: http://publishingpoint.ning.com/ and be sure to sign up for their group on meetup.com to find out! They have lots of useful info to share and you’ll get to learn from the best.

The first speaker was Max Kalehoff (@MaxKalehoff). He’s an expert on developing brands and, whether we like it or not, to get anywhere in publishing we each need to be a brand. So what does that ACTUALLY mean? To explain this, he used a case study about his own company, Clickable. Maybe, to make this easier, I’ll use myself as a case study.

Everyone is selling something. In publishing, we’re selling books or a book idea or a manuscript of a book. Online, we’re basically selling ourselves. The first thing you need to figure out is: What are your goals? Using myself as an example—What I hope to get out of being online is connections. I want to establish myself in the literary community and have all the privileges and responsibilities that come with it. (I’m already on my way with all of my blog readers—you guys are the best!)

Next step: Figure out the core insight into your niche—what is this group missing? Is there a problem that could do with a little fixing? For me, a problem I see is that everyone trying to get into the publishing industry wants to appear perfect and fearless. This makes authors unable to relate to them and the young professionals themselves seem…inhuman. How can an author relate to an agent that isn’t human, that doesn’t convey passion for their work? What’s wrong with showing how eager you are to live your dream? With saying you are nervous on your first day? It may not be a huge problem, but I think the lack of honest, firsthand journeys into the publishing world is a niche that should be filled.

The next step is to question where you can fill in: What can you contribute that they’re missing? What can you do more or be better at than everyone else? In my case, I’ve decided to be completely honest about how hard it is to get into the publishing industry and be embarrassingly personal. I’ll tell you about how I get lost or flub someone’s name or get really excited when I should be cool—because I think sometimes the publishing industry could do with being a little more human. Therefore, I think I can make connections by contributing my personal story—both the wins and losses.

Next step: Establishing outbound connections. This means helping people for nothing. The only thing you need to do is remember to leave your name. I know all you readers are good people, so you already do this the same way I do. Answer questions on other people’s blogs, crit. other people’s manuscripts, be generally helpful. This rule boils down to karma (see @jamieharrington’s blog for a nice post on karma in the publishing world) http://www.totallythebomb.com/friends-getting-theirs.

Then comes the big step: Inbound engagement--setting up your own blog, Twitter, participating in chats, forums. When you do this, be sure to have some sort of theme that you will blog on—it’s very confusing to have someone who talks about random subjects every time they sign on! People want to know what to expect when they come to see your page. Make sure you are reaching out to the people who are interested in your product (product = you! your book! But be careful—if you intend to write several books, calling your blog after one of those books could trap you). For example, the theme of my blog is right across the header—my journey to break into the publishing industry. I share insights that I gain, stumbles that I make, and I hope that others will also share their insights.

The sharing of content is linked with the last step: educational and marketing assets—keep them coming back for more. The second speaker, Stephen Baker (formerly of Business Week) also talked about offering things of value. Don’t talk at, talk with. Be present.

Stephen Baker also discussed his experiences using his blog (TheNumerati.net) and Twitter (@SteveBaker) to promote his book, The Numerati. He also discussed his use of social media and how, at the time he was writing, certain publishing houses were still unsure of how to use this tool, afraid it destroy the mystique of the author. I guess we’ll see how far we’ve come when we find out how much he is allowed to tweet when his next book comes out.

Both speakers said that it’s hard to measure success in blogging since no one knows which numbers to look at, but the idea is to have something show up once you are googled. I absolutely agree with this. I know talking to you all is like preaching to the choir but it can never hurt to hear it again. Having a personality is just as important online as it is offline. I promise, when I seriously consider a manuscript I also seriously consider the author and I know that publishing houses do as well. Seeing someone who is taking their career seriously by promoting themselves is a great sign that they will be committed to promoting their book once it is published.

Almost forgot to mention that I met some really great people there, some employed and some looking for employment. I ran into Elana Roth (@elanaroth) in person—yay!

Whew, that was a long one! Sorry about that, but the event was full of info! I have another great event tonight (different sponsor) so off I go again. I hope you found that helpful and until next time…

December 18, 2009

Doubling the job search

Dear Readers,
I'm so sorry I didn't do a post on Tuesday! I meant to, really really, but it just didn't happen.

Here's an update on my publishing journey. My "official" internship with Robert Astle ended yesterday. But halt your tears. No crying for me! I decided to stay on--woo hoo! The Boss was incredibly cool and said he understands how brutal it is out there and that I could stay a little longer while I'm still looking for a full-time gig, so of course I said yes. There's no way I could keep getting the same experience, meet the kind of awesome people, and do the incredible things I love without having a place like Robert Astle & Associates to work. Now I can even pick up another client!

But inside, I can't help but be a little disappointed. I just can't afford to stay full-time; I'm going to need to find a part-time job, which means I'm only going to be at the agency part-time. I have to cut back my responsibilities, so there's going to be less variety in my slush, less all day doing what I love. I sound really greedy and spoiled, don't I? I don't mean to. What I'm trying to say is that I feel like taking a non-related job is a step back, not a step forward. And even though this really doesn't mean anything, I'm afraid it's just the first of many steps down a path that leads me farther and farther away from where I want to be--the publishing world.

I know I need money. I'm incredibly lucky to have my family behind me, giving me a place to stay and almost everything I need. But sometimes I feel like they're sick of me now, like it's "you're a burden already." And the worst part is, I kind of agree--I know I'm not contributing anything. I don't want to be a burden on the relatives I'm living with, on my parents who work hard to financially support me so that I can be happier than they ever were. Both of them gave up their dream careers. They know how important this is to me. And I'll always be grateful to them for what they're doing.

I try not to be a parasite and I remind myself that I'm not sitting at home watching cartoons all day--I'm working toward a goal--a full-time, editorial entry level job in the publishing industry. (So strange, to be looking for both full-time and part-time work.) I WANT to work, but I can't do something that doesn't challenge me, that I don't love. And I believe in the importance of what I'm doing. I believe that books change lives.

So I've devised a way to keep publishing in mind while working a second job. How about working in a book store?!?! Anyone in NYC hiring? For someone who loves matching people to books it sounds like an excellent choice, no? While I'd still rather be editing full-time, (don't hit me for the cliche) I've gotta do what I've gotta do. The dream is calling, after all. Wish me luck tomorrow--maybe my previously luckless resume will get some attention. And maybe I'll make some connections.

Sincerely,

Rayna